Roslyn Kean discusses five decades of printmaking in her latest exhibition, Along the Way.

The 2023 Gippsland Print Award is now open for entrants and Gippsland Art Gallery Director Simon Gregg says the acquisitive prize—the winning work goes into the collection—also celebrates both the richness of printmaking, and the work of many local artists, through an extensive exhibition.

Jan Hogan and Olivia Moroney explore local landscapes in from the source.

Southern Highlands Printmakers join with Iltja Ntjarra artists for an exhibition tackling the idea of belonging.

Antonia Aitken and Helen Mueller explore a new show by the nowhere print collective at Megalo in Canberra.

In the work of Deborah Williams, the dog sees as much as it is seen.

David Frazer engages with musicians such as Nick Cave, Tom Waits and Paul Kelly for his celebrated artist book series.

Katie Alleva investigates inter-generational trauma in her latest exhibition.

Soula Mantalvanos celebrates the beauty of Venice.

Melissa Proposch investigates bodies of water, fear and hauntings in her latest series of work, showing with Kir Larwill in an Open Studio season for the Castlemaine State Festival (23 March-16 April).

Heather Hesterman contemplates BIRD, an exhibition that balances the wondrousness of avian life with the precarity of climate disaster.

Jo Darvall explores connections with other artists and with nature in a new show with Martin King and Clare Humphries in Albany, Western Australia.

Peter McLean gets up close with Lego, pixels and old friends.

Jan Hogan heads to the water for her latest exhibition.

Curator Jenny Petersen examines selected prints from the permanent collection of the Latrobe Regional Gallery, forming the new exhibition, Fellow Travellers.

2022 Print Commission artist Michael Phillips discusses his practice.

Marcus O’Donnell visits two new exhibitions related to the much-celebrated George Baldessin.

Tony Ameneiro is the winner of the print section of the Swan Hill Print & Drawing Acquisitive Prize 2022. He reflects on his winning work.

2022 Print Commission artist Janet Parker-Smith discusses her practice.

Kate Gorringe-Smith enters an urban forest, with the new group exhibition TREE at fortyfivedownstairs.

2022 Print Commission artist Sybille Schlumbom discusses her practice.

2022 Print Commission artist Rona Green discusses her practice.

Size is everything: Daniel Qualischefski, the Gallery Manager and Curator at Townsville’s Umbrella Studio Contemporary Arts, explains what’s so big about the Compact Prints International Print Exhibition, Auction & Exchange.

Jacqueline Gribbin examines harbour life in Darwin in a new project.

Annie Trevillian’s new project at Megalo explores healing and rehabilitation.

Susi Muddiman OAM, director of the Tweed Regional Gallery and the Margaret Olley Art Centre, celebrates the life of artist Fred Genis, who died recently.

Akky van Ogtrop, founder of PAPER at Sydney Contemporary art fair, and president of the PCA, is excited about this year’s fair, now on.

In this special advertising feature, arc Yinnar’s Kate Zizys explains the multitude of offerings available at this recently refurbished facility, with its focus on safe art work practices, and long history as one of Victoria’s oldest art collectives.

Dianne Longley of the Agave Print Studio explains why a stall at Sydney Contemporary is such a wonderful experience.

Karen Ball explains how Grace Cossington Smith’s keen observation of life is reflected in a diverse group of artworks.

Kevin Foley savours the wonders of the world before our very eyes.

Jim Pavlidis gets out the wheelie bin in his new exhibition.

Sarah Robinson, Melanie McKee and Janice Baker explore the Seven Forms (Collie ’22) exhibition.

The exhibition Epicorm: Art of the Eurobodalla emerged from the bushfires of 2019-20.

Dr. Thomas A. Middlemost discusses the work of Belinda Fox in her new exhibition.

A dreamy poem and the idea of a secret wish inform Amanda Donohue’s ‘Private Thoughts’.

Clayton Tremlett reflects on images of Australian Diggers in his new Bendigo exhibition ‘Immortals’. 

Lucinda Tanner explores her new exhibition at Queenscliff Gallery.

Caren Florance celebrates the life of Petr Herel

This is an edited version of a eulogy delivered by Paul Uhlmann at St Mark’s Anglican Church in Fitzroy, Melbourne, on 11 April.

Elizabeth Cross celebrates the life of her friend, Petr Herel.

Stephen Payne, Director, Megalo Print Studio, discusses Silvi Glattauer’s new exhibition.

Towards Strangeness, an exhibition of recent artworks by New Zealand printmakers, explores varying degrees of the inexplicable, the unfamiliar, and the mysterious. By Kyla Cresswell, Catherine Macdonald, Prue MacDougall, Kathryn Madill and Nan Mulder.  

Judith Parker writes about the ‘Sister City II’ print exchange.

Tasmanian artist Raymond Arnold contemplates his own mortality in his latest project.

Karen Landt-Isley translates a tour of Morocco into an exploration of landscape and Gestalt philosophy.

Rona Green: 30 Years of Printmaking is a landmark exhibition for this talented and committed artist whose explorations in the world of print have been extensive.

Katherine Kennedy explains the practical applications printmakers can explore with the Info-Rail display system.

Tony Ameneiro discusses his new book, ‘Flowers, Skulls & Heads’.

Jan Hogan writes about Frame of Mind, a project organised by Hunter Island Press held at Willow Court, New Norfolk, Tasmania, the site of inspiration.

Laurel McKenzie celebrates the successes of InkMasters Cairns’ Upside Up program, working with Indigenous artists.

David Fairbairn’s new exhibition includes the series ‘Double Lives’, reflecting a long and sustained personal and artistic relationship extending back more than three decades.

The 2021 International Mokuhanga Conference begins today in Nara, Japan. Jacqueline Gribbin surveys its offerings.

Bridget Hillebrand, winner of the Castlemaine Art Museum’s 2021 Experimental Print Prize, discusses her work.

Shelley Cowper and Elmari Steyn explore their new exhibition, House Boat, and connections with isolated, natural locations.

Eolo Paul Bottaro discusses his new exhibition, The Artist’s Studio, and the way it deals with landscape and portraiture.

In a new series of articles, we interview the PCA’s 2021 Print Commission artists about their working spaces.

Jenny Kitchener discusses her new exhibition Seed in the context of her deep interest in pollination and her previous work on the subject.

In a new series of articles, we interview the PCA’s 2021 Print Commission artists about their working spaces.

Melissa Smith’s new body of work, Without a Sound, explores the rich environments of Lake Sorell in central Tasmania, writes IMPRINT Editor Andrew Stephens.

In a new series of articles, we interview the PCA’s 2021 Print Commission artists about their working spaces.

In a new series of articles, we interview the PCA’s 2021 Print Commission artists about their working spaces.

Kate Gorringe-Smith speaks with Bron Ives, a winner in the Peebles Print Prize at Queenscliff Gallery.

Dr Mark Dustin, Senior Lecturer in Drawing and Printmaking at the Victorian College of the Arts’ (University of Melbourne’s) School of Art, discusses Ligature, a new exhibition online at Megalo Print Studio and Gallery.

In a new series of articles, we interview the PCA’s 2021 Print Commission artists about their working spaces.

In a new series of articles, we interview the PCA’s 2021 Print Commission artists about their working spaces.

Curator Jayson Althofer discusses the new exhibition Light Relief at the Toowoomba Regional Art Gallery.

In a new series of articles, we interview the PCA’s 2021 Print Commission artists about their working spaces.

Andrea Huelin reviews this year’s Inkmasters Biennial Print Exhibition, held in July and featuring Australian and international printmakers.

Flinders University Museum of Art director Fiona Salmon discusses ‘Bee-stung Lips: Barbara Hanrahan works on paper 1960-1991’, a FUMA Touring Exhibition curated by Nic Brown.

Dr Tim Mosely talks about an exhibition at Queensland College of Art in honour of the decennium the Iain Turnbull Memorial Award.

Jan Palethorpe discusses her new project with Jan Davis, GOLD, entered in the Geelong Acquisitive Print Awards.

Tony Ameneiro’s ‘Landscape with Rock’ exhibition raises questions regarding contemporary views of land ownership and environmental responsibility.

Tony Curran responds to political palettes in his new exhibition.

Jo Darvall discusses her Winged Realm project.

Inkfest is a biennial celebration of print.

Zelma Schulten explores the many fruitful partnerships involved in ‘Postcards from the North and South’.

Alison Alder, Marian Crawford and Richard Harding discuss NEWSROOM, offering an alternative visual experience of the relentless news cycle.

Emma Buswell, Print Award Coordinator, celebrates the entries in this year’s Fremantle Arts Centre Print Award, the 45th iteration of Australia’s longest-running print prize.

Vale Meg Buchanan (1949-2021). Among many, Dianne Fogwell mourns the loss of a friend and colleague.

With 44 artists and 88 prints, I See:You See is an ambitious print exchange and exhibition.

It’s the final week to see the Young Indigenous Printmakers (YIPs) show in Townsville, featuring William Ross State High School & Kirwan State High School students, based on a successful partnership with Umbrella Studio Contemporary Arts

Mei Sheong Wong visits the Bittondi Printmakers Association’s new exhibition The Bigger Picture.

Helen Mueller and Melissa Smith discuss the new Tasmania-based online exhibition ‘From a Distance’ at mayspace.

Gippsland Art Gallery director Simon Gregg, curator of ‘Jock Clutterbuck: Wisdom Journey – Prints and Sculpture 1967-1972’, discusses the print work of this experienced senior artist.

Marie-Therese Wisniowski discusses her new exhibition ‘The Effects of Global Warming’.

Belinda Reid and Jennifer Tarry-Smith describe their new exhibition Quintessence as “the embodiment of each artist’s experience of time and place”.

TRANSMEDIAL: Expanding Technologies in Contemporary Printmaking, features works by eight established international artists. Co-curators Monika Lukowska and Sarah Robinson discuss the exhibition.

Jacqueline Watt discusses her latest suite of reduction screenprints featuring Western Australian native flora.

Joanne Gwatkin-Williams writes of the last fifty years of this landmark printmaking group, celebrating with two new exhibitions.

The Print Council of Australia’s Superpowers project, funded by Creative Victoria, is a writing and printmaking endeavour. This is the final of the four specially commissioned essays and art works in which writers and artists interrogate various forms of energy in the context of the global climate emergency. Words by Hannah Presley, artwork by Lisa Waup. 

The Print Council of Australia’s Superpowers project, funded by Creative Victoria, is a writing and printmaking endeavour. This is the third of the four specially commissioned essays and art work in which writers and artists interrogate various forms of energy in the context of the global climate emergency. Words: Belinda Briggs Artwork: Kasia Fabijańska.

Dr Margaret White writes about Roslyn Kean’s new exhibition Defining Shapes – Creating Edges at Megalo Print Studio Gallery, Canberra.

Trish Yates discusses her work alongside that of Megan Edwards and Celia Wood in Unfolding.

Kyoko Imazu’s new exhibition covers deeply poetic territory.

Suzanne Newton and other artists from the Southern Printmakers Association explore the secret life of plants.

Erin Mathews, Gippsland Art Gallery curator, investigates the gallery’s new print show Entrancing Others.

Janette Hanrahan looks back on a life full of work, displayed in a new survey exhibition.

Kaye Green and Ange Cooper unpack the work behind ‘Two Views’ at the Salamanca Arts Centre in Hobart.

‘Future Proof’ is new online exhibition showcasing emerging artists at Megalo Print Studio + Gallery in Canberra.

Angela Coombs Matthews discusses her new work at PG Printmaker Gallery in Melbourne.

Marilou Chagnaud explains the underpinning of her new exhibition at Megalo Print Studio + Gallery in Canberra.

Rhonda Nelson discusses a new exhibition with fellow artists Anna Russell and Rebekah Honeyman in Stanmore, NSW.

Owen Hutchison describes the circumstances behind his latest suite of woodcuts.

Bec Westlund visits the latest iteration of the wide-ranging Overwintering Project.

Wendy Black reflects on a long career of art-making, celebrated in a new exhibition.

Elizabeth Banfield recalls a haunting place that helped form her new exhibition ‘lacuna’.

Nan Mulder discovers long-held connections between the Netherlands and New Zealand in Distant Kinship / Verre Verwanten.

Gallery East co-director David Forrest CBE discusses a new exhibition of Japanese prints.

Lake Mungo, and its ancient geological formations, form the subject of a new exhibition writes Susan Wald.

Queensland College of Art’s threatened printmaking department has been saved, writes Tim Mosely.

Queensland College of Art PhD candidate Matthew Newkirk details the threat to the college’s printmaking department, other departments and the college’s broader future and reputation.

Superpowers #2: Three Hundred and Sixty-Five Days Under the Sun
words by Eugenia Flynn
artwork by Yasbelle Kerkow

Mei Sheong Wong explores a new exhibition at Adelaide’s unique venue, Mrs Harris’ Shop.

Discussing the big community steamroller event they have planned for this coming weekend – Sunday 15 November – are the cofounders of Stone & Quoin Studio at 6 Manton St Hindmarsh in South Australia: Simone Tippett (Union St Printmakers) and Damien Warman (stick to galley press).

Roslyn Kean discusses her new exhibition, Through Shadows.

By Monique Bosshard Curby

In this interview, Sheyne Tuffery discusses his experimental, exploratory approach to printmaking, working on multiple projects in his studio.

In this interview, Rhi Johnson discusses memory, narrative, and the challenges of reduction printing techniques.

In this interview, A.H.C. McDonald discusses how his work collides with dangerous Australia, with technical challenges along the way.

In this interview, Joanna Kambourian discusses the way her work investigates cultural identity, migration and displacement.

In this interview, Daniel O’Shane discusses his entry, which features an intrplay between the mythical and the material world.

Silvi Glattauer: Print Commission 2020

Superpowers
words by Tyson Yunkaporta
artwork by Kyoko Imazu

Showcasing PCA members and their studio spaces, ‘My Space’ profiles Jennifer Sanzaro-Nishimura.

Showcasing PCA members and their studio spaces, ‘My Space’ profiles Theo Tremblay.

Showcasing PCA members and their studio spaces, ‘My Space’ profiles Melissa Smith.

Showcasing PCA members and their studio spaces, ‘My Space’ profiles Georgia Steele.

Showcasing PCA members and their studio spaces, ‘My Space’ profiles Sarah Robinson.

Showcasing PCA members and their studio spaces, ‘My Space’ profiles Ben Rak.

Showcasing PCA members and their studio spaces, essential during the current global circumstances, ‘My Space’ profiles Bridget Hillebrand.

Showcasing PCA members and their studio spaces, essential during the current global circumstances, ‘My Space’ profiles Barbara Davidson.

Showcasing PCA members and their studio spaces, essential during the current global circumstances, ‘My Space’ profiles Basil Hall.

Showcasing PCA members and their studio spaces, essential during the current global circumstances, ‘My Space’ profiles Sydney-based artist Susan Baran.

Showcasing PCA members and their studio spaces, essential during the current global circumstances, ‘My Space’ profiles New Zealand artist Sue Cooke.

Sasha Grishin writes about the first fifty years of Sydney Printmakers, ahead of their sixtieth anniversary in 2021. The exhibition Sydney Printmakers 2020 is presently showing at May Space by appointment until April 24.

Showcasing PCA members and their studio spaces, essential during the current global circumstances, ‘My Space’ profiles Victorian artist Kate Gorringe-Smith.

In our new column devoted to showcasing PCA members and their studio spaces, essential during the current global circumstances, Victorian artist Susan Wald shares her experiences.

In our new column devoted to showcasing PCA members and their studio spaces – essential during the current global circumstances – Queensland artist Jill O’Sullivan shares her experiences.

Jacqueline Aust confronts difficult subject matter in ‘Displaced’.

Wayne Viney reflects on his new exhibition, ‘The Lake and the Sea’.

Carmel Wallace discusses her new exhibition, ‘High Tide’.

James Noonan surveys a highlight on the annual print calendar.

Melissa Smith reports on a King Island print workshop with three masters of the artform.

Kirtika Kain explores the world of India’s Dalit people.

Melissa Smith reports on an extraordinary project around a water catchment near Sydney Harbour.

Maddie Reece reports on the work of Jake Holmes.

Catherine Tempest interviews key members about the Newcastle Printmakers Workshop 40th anniversary and its coming celebration exhibition.

Ted Snell explores the new exhibition Sea Sings, Black Sands and Winged Realm.

The University of Melbourne’s much-anticipated symposium ‘Prints, Printmaking and Philanthropy’ starts today. James Noonan reports.

James Noonan reports on the upcoming Debra Luccio exhibition ‘Dancing from the Dark, Looking for the Light’.

James Noonan reports on the upcoming Kyoto Hanga International Print Exhibition: Japan and Australia and the related symposium to be held at the Caloundra Regional Gallery.

Artist Helen Best explores her new exhibition IMPRESSED: Moments and Memories in print.

Curator Rachael Kiang discusses the Vision in Ink: Experimental Printmaking exhibition at Gallery Lane Cove.

Danielle Fusco reports on a recent symposium in Western Australia.

Liz Morrison, President of the Printmakers Association of Western Australia, interviews Namibian-born print artist Elmari Steyn about her latest solo exhibition, Tree House. This exhibition has just wrapped up after a four week showing at the Tresillian Arts Centre in Nedlands, Perth, WA.

Shel Sweeney explores the art of mokulito with NSW artist Sam Sosnowski.

James Noonan speaks with Geoffrey Ricardo about his latest survey at Australian Galleries.

Tessa Beale and Bina Butcher discuss their recent exhibition Penumbra II, the second iteration of a collaborative body of work.

David Frazer speaks with James Noonan about his latest exhibition.

Monika Lukowska explores the new exhibition ‘Talking Place: Unfolding Conversations’ at the Alcoa Mandurah Art Gallery.

Trudi Curtis, director of Hobart’s Colville Gallery, discusses curating the new ‘Works on Paper’ exhibition (10-22 May).

James Noonan interviews artist Heather Hesterman about her new show ‘survey:multiples’ and her recent “edulab” at Shepparton Art Museum (SAM).

Artists Wayne Viney and Stephanie Jane Rampton discuss the show ‘About the Land’ at Australian Galleries, featuring eight contemporary artists whose common approach towards printmaking processes reveals remarkable diversity of expression. Positioning landscape as the central subject in their practice, each artist communicates their individual perspective and unique technical expertise through a shared source of inspiration.

Castlemaine Press is holding a big steamroller press event this Sunday as part of the Castlemaine State Festival. Melissa Proposch discusses it.

Michelle Zuccolo discusses the work of Pam Hallandal and other artists in the group exhibition Paper Walls at Glen Eira City Gallery.

A new exhibition at Parliament House, Canberra, surveys the history of the Print Council of Australia print collection.

Lisa Slade and Maria Zagala discuss the Art Gallery of South Australia’s recent showing of the National Gallery of Australia’s ‘Picasso: The Vollard Suite’, showing at the Art Gallery of Ballarat until 28 April.

Artist Richard Harding explains how ‘Spin me Out’, the latest iteration of his ‘Pinkwashing’ project, connects with previous exhibitions. ‘Pinkwashing’ is at Bundoora Homestead Art Centre until 3 March.

Featured artist Lisa Sewards discusses her contribution – among 50 other artists, with 200 works – to the ‘Editions 2019’ show, the annual print-focused gala event at Tacit Galleries in Collingwood. Opening tomorrow, Wednesday 13 February, 6.30-8pm, and show on until 24 February.

Curator Brenda L. Croft discusses the exhibition Still in my Mind at Charles Darwin University Art Gallery.

Trevor Dickinson discusses one of his muses: Canberra’s beautiful bus shelters.

Stephen Bennett discusses his new exhibition ‘New Found Voice’.

Caren Florance examines Elaine Camlin’s new exhibition ‘Microcosm: A World in Miniature’.

Mei Sheong Wong reviews the new exhibition ‘Collaborative Variations’ featuring various South Australian and interstate printmakers, artists and writers.

Monika Lukowska and Sarah Robinson discuss Vanessa Wallace’s new exhibition Reiterated Instant.

Andrea Huelin reviews the Inkmasters Print Exhibition 2018.

Nicolas Rivet speaks with artist Marco Luccio about his recent show Manhattan Dreaming, held at fortyfivedownstairs gallery.

Rivers of Gold explores how so many of us have no idea how waterways have been irrevocably altered by our search for that wondrous substance – gold.

Catherine Pilgrim’s new exhibition in Bendigo, under the Regional Centre for Culture initiative, helps generate new understandings of the histories that surround her in the goldfields region. Jacqueline Millner explores the show, ‘Mrs Larritt in Upside Down Country’.

In 2015 the Print Council of Australia commissioned Brent Harris to make a special fundraiser print to help raise money to pay Imprint contributor fees.

Gary Shinfield entered a collaborative space with his latest body of work. On show at Art Space, 2 Small St, Willoughby, NSW, 18 April-6 May.

Jane Giblin explores White Australia and land in her coming show The Earth Muzzle at Colville Gallery, 91A Salamanca Place, Hobart, opening April 27.

Katie Glaskin discusses her paintings and linocut prints drawing on historical images of thylacines to explore themes of loss, endangerment and extinction.

Weaving and printmaking go together in the work of Peter Ward. Interwoven is at Firstation Print Studio April 4-21

Gary Shinfield entered a collaborative space with his latest body of work. On show at Art Space, 2 Small St, Willoughby, NSW, 18 April-6 May.

Megan Hinton discusses her new exhibition United Constructs at Megalo Print Studio + Gallery, until April 7.

Jason Smith, Geelong Art Gallery director, reflects on the work of Jörg Schmeisser (1942–2012) an influential and critically acclaimed master printmaker.

Lisa Sewards explores her continuing engagement with parachutes and jellyfish opening at fortyfivedownstairs, 45 Flinders Lane, Melbourne until 17 March.

WA artist Monika Lukowska discusses her academic and artistic practice an her new exhibition,  Encountering place is at Gallery Central, North Metro TAFE, 12 Aberdeen St, Northbridge, WA, 9-17 March. Exhibition opening: 8 March.

Artist Alice Oehr discusses her new show at Lamington Drive, Freshly Wrapped. Opening at Lamington Drive, 52 Budd Street, Collingwood, until 17 March. 

Elaine Camlin discusses her investigations of the minutiae of the organic world. Micro-Worlds is at Form Studio and Gallery until 18 March.

Editions 2018 is to be the biggest print-exhibition yet for Tacit Galleries at its new Collingwood venue in Melbourne. Director Keith Lawrence talks about the annual go-to event for the printmaking community.

I have always worked my ideas across different media: painting, printmaking and drawing. Most often drawing comes first, which will then lead onto a print or a painting.