Chine-collé

Jimmy’s core theme is ‘sense of place and identity,’ one that has been largely influenced by the Melbourne Docklands, Australia.

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Totman’s established work reveals many indications of his past preoccupation with the strength of the hand, its universality, its contradictory character.

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Susan Baran is a Sydney based artist and educator teaching a wide range of printmaking processes including solar plate techniques. She has tutored many HSC students with their major works.

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Shana is fascinated by classical fairy tales, yarns, dreams and the natural world, her artwork represents humans and animals alive and active in unexpected, fantastic surroundings presenting a poetic interpretation of contemporary life.

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A printmaker working in intaglio and relief, Lizzie’s work has been shortlisted for many national print awards and exhibited widely.

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Lindy is a relief printmaker who combines collage, watercolour and fine ink drawings with her printmaking.

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Working across a range of media including printmaking I create works using pokerwork on wooden panels; digital wood engravings; artist books; mixed media cyanotypes and small scale bronzes.

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Svetlana experiments with symbolic and minimal forms during the creative process. Her artworks often draw viewers’ attention to social issues and motivate people to the inner exploration.

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Hanah’s practice focuses on creating unique state prints and print installations.

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Linda Swinfield ‘tells stories’ within her printmaking process through research incorporating family, history, place, and memory.

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